Aruna Kharod is an ethnomusicology PhD candidate at the University of Texas (UT) at Austin. She holds an MMus in ethnomusicology (2021) as well as a dual BA in Hindi language and literature and South Asian studies, all from UT Austin. Aruna’s doctoral dissertation examines transnational exchanges and histories of the sitar-making industry. Her research has been published in the International Journal of Traditional Arts and has been generously supported by the Smithsonian Summer Institute in Museum Anthropology, the Presser Foundation, Texas Folklife, and UT Austin’s most prestigious doctoral research award, the Donald D. Harrington Dissertation Fellowship (2022–23).
As a performing artist, Aruna is trained in Hindustani music and bharatanatyam dance. She studied sitar under the guidance of Professor Emeritus Stephen Slawek, a senior disciple of the late Pandit Ravi Shankar. She is currently under the training of renowned sitarist Vidushi Sahana Banerjee. Aruna teaches and performs bharatanatyam in central Texas as part of her guru, Dr. Sreedhara Akkihebbalu’s Kaveri Natya Yoga School of Bharatanatyam. She has also studied bharatanatyam and odissi intensively in India. Besides, Aruna has performed and taught Javanese gamelan for over five years.
Aruna is an ethnographic storyteller who is passionate about intergenerational and community-based work. Her notable projects include leading a project on Partition Songs in the Indian-American diaspora (2021); being involved in a digital humanities resource program on American sitar-making (2022); and being part of a mentorship programming series for women PhD students (2023). Aruna is also a photographer and budding documentary maker who focuses on hereditary and traditional luthiers and artists in the U.S. and India, as well as on intergenerational South Asian-American life. As an arts educator, Aruna leads and develops programming for audiences in public libraries, schools, senior centers, and museums around central Texas. She has worked as an artist-in-residence (Blanton Museum of Art, 2017), public outreach and programming liaison (Humanities Texas, 2021), and as a qualitative research consultant (Jugal’s Literature Festival, 2023).
Aruna’s Fulbright-Nehru project is studying sitar performance through individualized, immersive, traditional taalim, or training, under the tutelage of Vidushi Sahana Banerjee. She is also practicing the nuances of improvisatory techniques and musical theory as rooted in Banerjee’s distinctive interpretation of the Rampur Senia gharana.