Ms. Sarah Reyes has been teaching for 18 years and currently teaches at Abraham Depp Elementary in Dublin City School District, Ohio. She obtained her bachelor’s in music education and master’s in music education with Kodály certification from Capital University, Ohio, and spent a year studying music pedagogy at the Kodály Institute of Music in Kesckemét, Hungary. She was awarded a National Endowment for the Humanities grant to study the music of Johann Sebastian Bach at a summer institute in Germany. All through her career, Ms. Reyes has been teaching general music and choir for students in the age group of five to 18. She has also hosted numerous musical activities for students outside of school, including choirs, music clubs, and a Hindustani and Carnatic ensemble. She has served on committees on curriculum and equity, as well as on diversity and inclusion in her school district. Her teaching experience includes rural, urban, and suburban school settings.
Ms. Reyes has also served as a presenter for the Tri-City Kodály Educators, Organization of American Kodály Educators, the International Kodály Society, and for graduate students at Capital University on the topic of inclusion of diverse music and cultures in music classrooms and choral settings. She is continuously seeking to expand her knowledge and has studied Brazilian music with bricante Estêvão Marques, Cuban rumba with Josh Ryan, West African music with Sowah Mensah, and mridangam and Carnatic music with Mysore Vadiraj. She loves being inspired by her students to learn new things, travel to destinations unknown, and nurture her innate curiosity for learning by seeing the world through many different lenses.
As part of her Fulbright project studying Carnatic music in India, Ms. Reyes is collecting musical materials and pedagogical practices to share with her learning community and the music education community. She believes that her immersive experience in India will enable her to engage with her students in Dublin and the greater music education community across the U.S. and elsewhere – all along reflecting the contexts of her learning community, honoring multiple learning modalities, and embracing music as a universal human experience.