Prof. Sarah Pinto is a Professor of Anthropology at Tufts University. Her research and teaching addresses cultures and histories of biomedicine in South Asia, especially as they pertain to kinship and gender. Most recently she has been working on histories of psychiatry in South Asia, with a focus on diagnoses related to “hysteria.” She is author of three books, Where There Is No Midwife: Birth and Loss in Rural India (Berghahn 2008), Daughters of Parvati: Women and Madness in Contemporary India (University of Pennsylvania Press 2014), which was awarded the Eileen Basker Memorial Prize for ethnographic writing on gender and health, and The Doctor and Mrs. A.: Ethics and Counter-Ethics in an Indian Dream Analysis (Women Unlimited 2019/Fordham University Press 2020), and numerous scholarly articles. Her current efforts consider concepts of the “good death” as they emerge in and beyond bioethical framings, highly collaborative models for ethnographic research and teaching, and writing at the intersections of ethnography, history, and fiction.
During her Fulbright-Nehru project, Prof. Pinto intends to involve several interlinked components: teaching a seminar-style workshop for graduate students, conducting preliminary ethnographic research, and building a collaborative research paradigm for ongoing work. The theme of these efforts is contemporary concepts of “good death” in West Bengal. Amid rapid changes in the Indian medical and legal landscape of end-of-life care, Prof. Pinto asks how ideas about a good death are formed and reformed at the juncture of medicine, law, religion, and everyday life. What does a good death look like in and beyond global bioethical formulations?