USA Fellows Year: U.S. Fellows 2022-2023

Calvin McCormack

Mr. Calvin McCormack is a musician, audio engineer, and computer programmer from Baltimore, MD. He completed his undergraduate degree in Jazz Studies from the University of Michigan, where he focused on the intersection of jazz improvisation and non-western musical idioms. During this time, he spent two months in Mysuru studying the Saraswathi Veena. He is also a recent graduate of Berklee College of Music, where he received his master’s degree in Music Production, Technology, and Innovation, with an emphasis on the use of bio-sensors and accessible interfaces in musical instrument design. As part of his thesis at Berklee, Mr. McCormack developed software that uses electroencephalogram (EEG) brainwave signals to control digital music generation and sound design. Since 2018, Mr. McCormack has been working with CED Society, a Dehradun-based non-profit dedicated to supporting women in the Himalayan border region. Together with CED Society, Mr. McCormack has helped launch the Sound of Soul Recording Studio and Music Institute, a nonprofit music education center and recording studio designed to empower disadvantaged and disabled women through music education, production skills, and creative expression. Mr. McCormack has also worked as an active musician, music instructor, author of music teaching materials, assistant at a digital fabrication lab, and spent two years as an assistant engineer at Radio Active Productions recording studio in Austin, TX.

Traditional musical instruments have been developed and refined over centuries, but digital instruments are a relatively new technology with great potential for innovation. Mr. McCormack’s Fulbright-Nehru project aims to design, develop, and test digital musical instruments that have been created specifically for people with disabilities in remote areas of northern India. The project is using bio-sensors, low-cost computers, and digital fabrication tools to create accessible musical instruments and is studying their efficacy in rural areas, resulting in an enhanced understanding of the design and production of affordable and accessible creative tools.

Aleksandra Matic

Ms. Aleksandra Matic holds a BA in Art History from Lake Forest College and an MA in Art History, Theory, and Criticism from the School of the Art Institute of Chicago, focusing on modern and contemporary art from South Asia, Gender Studies, and Cold War Constellations. During an 18-year tenure at the Art Institute of Chicago, her roles included growing and revitalizing the member and donor travel programs and overseeing the museum’s legacy society as the Associate Director of Donor Travel and the Director of the Buckingham Society. In 2019, she curated an exhibition at the School of the Art Institute of Chicago titled Coming into Being- a conversation between nine visual artists which explored questions of identity and the ‘othered’ body using post-colonial theory.

She serves on the Executive Advisory Council, Emeritus Board, for the Educational Travel Consortium. Ms. Matic volunteers for various culture, health, and community-focused organizations, including the Artists of Nathdwara, Core of Culture, and Center on Halsted. She is an active member of The Arts Club of Chicago and the International Museum of Surgical Science. Ms. Matic enjoys travelling, reading, and volunteering in her free time.

This Fulbright-Nehru project in India is a collaboration with a multigenerational collective of pichvai artists in the temple town of Nathdwara. Pichvai are decorative textiles utilized by a Hindu devotional community called the Pushtimarg in their veneration of Lord Krishna. The focus of Ms. Matic ’s proposal involves working with a local filmmaker to produce a documentary based on the lives of these pichvai artists, the history of their painting, and Nathdwara. This documentary will communicate a crucial narrative and create dialogue within a global community to provide the platform needed for future pichvai artists to create and thrive for generations.

Janani Mandayam Comar

Ms. Janani Comar is a PhD student at the University of Toronto in the Department of Religion. Her research is at the intersection of religion, caste, and performance. She is particularly interested in the way mythological narratives engage in ethical discourses. Her dissertation looks at hagiographies of mythic figures in colonial South India, and she traces the circulation of their narratives through print and performance. At University of Toronto, she holds the Connaught International Doctoral Scholarship and was a recipient of the MITACS Research Training Award in 2020. She has presented her research at several conferences, including the annual South Asia Conference held at University of Wisconsin Madison.

For the Fulbright-Nehru project, Ms. Comar aims to revisit the history of modern Hinduism to explore how religion and ethics are intimately linked to social status in the colonial period. Working with scholars at the French Institute of Pondicherry, she is focusing on the writings of subaltern Tamil-speaking communities and explore how these groups participated in lively ethical debates through performance. She is also accessing a wide range of archival sources, including from contemporary performers, to trace how narratives about virtuous figures circulated in rural and urban areas. Her findings will be an integral part of her doctoral dissertation on Tamil literature and performance.

Abiola Makinde

Ms. Abiola Makinde is a Nigerian-American woman from Lagos and South Florida. As a recent graduate of the Rhode Island School of Design with a Bachelor of Fine Arts in Industrial Design, she completed a senior thesis centered around Sickle Cell and Pain Management. As an Emergency Design Council Fellow she collaborated with designers from the IDC School of Design and the National Institute of Design in researching and designing solutions to mitigate the impact of COVID-19 on the mental health of children in India. Ms. Makinde has also served as a Design Educator for high school students in an after-school program, which focused on the fundamentals and importance of collaborating in the design thinking process.

Ms. Makinde’s Fulbright-Nehru project is examining research design solutions to extend culturally relevant and adaptable hospital and home tools and services for Indian children with Sickle Cell Disease (SCD) and their caretakers past the hospital and into their homes before and after visits. With the support of Prof. Ravi Poovaiah of The Indian Institute of Technology, Bombay and Dr. Yazdi Italia of the Shirin and Jamshed Guzder Regional Blood Centre, her intention is to understand the patient’s journey and challenge points to find ways, through the lens of design, to positively affect the overall experience of the patient and the caregiver.

Christopher LaMountain

Mr. Christopher LaMountain is a graduate of Northwestern University, where he pursued a double major in Religious Studies and Music Performance Studies. After being awarded an Undergraduate Research Grant from Northwestern in 2018, Mr. LaMountain completed a multi-media research project comparing gynecological texts of Mediterranean Antiquity with Marian narratives of the New Testament Apocrypha. In the latter portion of his collegiate career, Mr. LaMountain conducted research on devotional music at seven of the eight continental Baha’i Houses of Worship as the 2019 Northwestern Circumnavigator grantee. Having sung in choirs and as a classically trained tenor soloist, Mr. LaMountain also sung with the musicians of Baha’i Temples around the world and subsequently produced his honors undergraduate thesis comparing the musical styles and presentation forms of devotional music at the different Baha’i Temples. With the help of his colleagues from the Bienen School of Music, Mr. LaMountain has also presented two concert lectures on his comparative Baha’i musicological studies, which featured musical excepts from his worldwide research trip. Interested in inter-religious musicology and cross-cultural studies, Mr. LaMountain has achieved proficiency in French, Italian, and Hindi, passed upper-level courses on various traditions of the major world religions, and studied musical traditions, such as Negro Spiritual, Western Classical, Hindustani, Ugandan traditional, and Nueva Cancion Chilena musical styles. Mr. LaMountain aspires to pursue a graduate degree in sacred music studies, become a religious studies and musicology professor, and continue singing in choirs over the course of his life.

With his Fulbright-Nehru project, Mr. LaMountain is both observing and participating in the process of devotional music making at the prayer services of the Asian Baha’i House of Worship, called the Lotus Temple. In comparing both these observed musical styles and presentational forms of the Lotus Temple with other faith spaces in Delhi, for example Akshardham and ISKCON Temples, Gurudwara Bangla Sahib, Myanmar Buddha Temple, and Moti Masjid, Mr. LaMountain is determining the manner in which local worship music from religious traditions outside of the Baha’i Faith influences intonation of the Lotus Temple.

Suraj Kushwaha

Mr. Suraj Kushwaha is a recent graduate of Princeton University, where he studied a self-designed curriculum for an independent major in Postcolonial Environmental Studies. His research interests center around South Asian languages, culture, and history. He has lived and studied in India for two years, first on Princeton’s Bridge Year Program in Varanasi and later on a Boren Scholarship for intensive Hindi language study in Jaipur and Mussoorie. He is especially interested in the Himalaya, its people, and the complex environmental, economic, and cultural conflicts that have arisen with the opening of this region to unprecedented numbers of pilgrims, tourists, and mountaineers through globalization and development. His research interests include the imperial legacy of Himalayan mountaineering and the role of mountaineering in the formation of an “Indian” identity. His senior thesis probed the role of local knowledge in the colonial exploration of the Himalaya and Tibet. He hopes to address the absence of local people’s and porters’ perspectives in the history of mountaineering by collaborating on oral history and ethnographic research alongside these communities.

After the Fulbright-Nehru Fellowship, Mr. Kushwaha hopes to pursue graduate studies and a career as a professor. Outside of his studies, Mr. Kushwaha gravitates toward the remote, vertical environments of mountains near and far. As an avid climber and aspiring mountain guide, he views climbing as a transformative medium to connect with environment, self, and others. He is constantly pushing his own limits in climbing and helping others to break down barriers and do the same.

Mr. Kushwaha’s Fulbright-Nehru project is exploring and documenting the histories and lived experiences of porters working in India’s Central Himalayan Mountain tourism industry. By observing porters on their assignments and conducting interviews with consenting porters, he hopes to identify key issues facing porters in an evolving labor geography. The research seeks to address the omission of porters’ perspectives from the discourse on the legacy of imperialism in the Himalaya. Mr. Kushwaha hopes to highlight porters’ crucial role in a growing industry and understand the challenges they face as they navigate a nuanced labor niche inflected by a history of British imperial exploration.

Andrew Kerr

Mr. Andrew Kerr is currently pursuing a PhD in Anthropology. His research world revolves around questions of poetry, semiotics, emotion, and sociality. Meanwhile, his commitments and passions are to always be engaged in collaborative work that centers human dignity. Mr. Kerr is a previous fellow with the American India Foundation and Urdu language resident director in Lucknow for the South Asia Flagship Language Initiative. He holds a BSc in Physics from Austin Peay State University, an MA in Religious Studies from the University of Chicago, and is always seeking to learn more.

Mr. Kerr’s Fulbright-Nehru project engages contemporary poetry in North India as not only literature or art, but also as a medium of popular expression that carries affective force in the public sphere. This study is taking place in Delhi, Lucknow, and Mumbai to explore questions about the public sphere, publics, affect, and imaginations of being Indian. The highlight on Urdu poetry, especially, will address the dearth of ethnographic analysis in Urdu studies, while also bringing an extended study of Urdu poetry in India into the growing body of literature in the anthropology of poetry.

Meher Kaur

Ms. Meher Kaur is a graduate from the University of Richmond, where she earned a bachelor’s degree in Economics and Global Studies with a concentration in Development Studies. During her time at the University of Richmond, Ms. Kaur’s studies and research focused in the areas of labor studies, gender studies, and economic empowerment in India. She wrote an Honors Economics Thesis on India’s biometric ID system – Aadhaar, and its ability to facilitate access to public welfare schemes and private services for India’s vulnerable population groups. She also wrote a senior thesis on the city of Gurgaon, India and how its social and urban development was impacted by India’s transition to a neoliberal state and economy. During her time at university, Ms. Kaur also lived in rural Odisha, India, for three months while working with the Indian NGO Gram Vikas to provide water and sanitation services to tribal populations in remote areas. She further studied abroad in Buenos Aires, Barcelona, and Cape Town as part of a multidisciplinary urban studies and economic development study program. Following graduation, Ms. Kaur worked with J-PAL South Asia as a Field Research Associate for a project based out of Punjab, India, where she studied drug use among Punjabi youth and developed and tested the effectiveness of a media awareness campaign. During this time, she realized her interest in the field of public health.

Ms. Kaur is interested in studying and building solutions to address gaps in India’s healthcare delivery systems, with a focus on women and disadvantaged population groups. She is passionate about community-driven research and hopes to grow her skillset through field research and networking with organizations in India’s social sector.

Maternal and reproductive health refers to the health of women before, during, and after pregnancy and the capability to make decisions to reproduce. Studies on Indian migration reveal that urban migrants often lack basic healthcare services, and emerging research in the era of COVID-19 shows that new barriers to healthcare access have formed. Ms. Kaur aims to use a mixed-methods and community-driven approach to bring the perspectives of underrepresented groups such as migrant women to the context of existing policies that cater to urban migrants’ health needs.

Lucas Joshi

Mr. Lucas Cole Joshi is scholar of Afro-Asian studies. Born to an Indian father and biracial mother, Mr. Joshi now attends Dartmouth College in New Hampshire, graduating in the spring of 2022. At Dartmouth, he served as the Founder and Co-President of cultural magazine, Dear Dartmouth and as the Founder and President of (post)-colonial book club, Chapter Two. A recipient of the Mellon Mays Undergraduate Fellowship, Mr. Joshi worked alongside undergraduate scholars of color in the production of his own research grounded in themes of mourning and memory in a (post)-colonial lens. His honors thesis, entitled “With Deepest Sympathy, a New Mourning in the Hour of Basque Reconciliation,” complicates notions of victimhood and reconciliation as it would lend itself to the post-terrorism era of the Basque Country. Mr. Joshi is a co-author of the book, Transatlantic Letters: An Epistolary Exchange Between Basque and US Students on Violence and Community published within the Human Rights Collection of Deusto University.

Upon completion of the Fulbright-Nehru Fellowship, Mr. Joshi will pursue his PhD in Comparative Literature at Brown University. At Brown, he will work alongside professors Leela Gandhi and Leila Lenhen in responding to questions of the Indian Ocean as an autonomous body of violation and solidarity. Ultimately, he intends to realign Afro-Asian Studies through an emphasis on critical mixed-race theories and affinities.

A relic of the Portuguese colonial era, Goa’s Civil Code presents a complex story of labor governance and rights, particularly with respect to domestic workers throughout the community. Through this research, Mr. Joshi’s Fulbright-Nehru project is investigating the contemporary conditions that define the lives and livelihoods of domestic workers in Goa. Further, he is contextualizing domestic labor as a continuation of the legacy of Afro-Asian enslavement. The project represents a deeper inquiry into the labor that has stood as the backbone of Goa: once the “Rome of the East” and now the heart of Indian interculturality.

Christian James

Mr. Christian James is a PhD Candidate in Indiana University’s Department of Folklore and Ethnomusicology. His dissertation examines the role of musical performance in internationally funded human development initiatives operating within the Kangra District of Himachal Pradesh.

For over a decade, Mr. James has studied cultures and languages of North India with a special interest in folksongs of western Himachal Pradesh and Greater Punjab. He is proficient in four South Asian languages: Hindi, Urdu, Punjabi and the Kangri dialect of Western Pahari. He has received multiple awards and fellowships for language and area studies, including two Critical Language Scholarships. With support from the U.S. Department of Education and Indiana University’s Center for the Study of Global Change, Mr. James spent the 2021-2022 academic year enrolled as the sole student in the first ever Kangri language course offered through the American Institute of Indian Studies.

Alongside his dissertation topic, Mr. James’ research interests include language ideology, public folklore, and Indic musicology. In 2021, the Midwestern Chapter of the Society for Ethnomusicology awarded him the JaFran Jones prize in recognition of his paper, “Nādānusandhān: Sound Studies and its Lexical Genealogy in Hindi-language Music Scholarship.” Mr. James has worked as an Articles Editor for Folklore Forum, the open-access journal of Folklore and Ethnomusicology Publications (also known as Trickster Press). In 2020, he served Traditional Arts Indiana as a contributor and editor for Memory, Art, & Aging, a public-facing resource guide encouraging older adults and elder care workers to engage with folk and traditional arts.

Mr. James has maintained an abiding passion for music throughout his life. In 2014, he completed a Bachelor’s of Music degree in composition from Oberlin Conservatory. His compositions have featured in several international venues, including the Charlotte New Music Festival in North Carolina (2013), Dharamshala International Film Festival in Himachal Pradesh (2014), and the Syndicate for the New Arts in Ohio (2017). He has worked as a choral singer, music educator, and church music director in Ohio and Indiana as well as his home state of Michigan.

Mr. James’ Fulbright-Nehru project investigates the role of participatory song in the feminist social development work of Jagori Rural Charitable Trust, a non-governmental organization operating in the Kangra district of Himachal Pradesh. Through a combination of participant observation, recorded interview, and audiovisual documentation, Mr. James assesses the effects of collective singing on the delivery of the organization’s objectives concerning the social, economic, and political empowerment of women and girls. The final report documents and analyzes the organization’s total song repertoire, the effects of specific songs, and participants’ experiences of those effects through performance.